和大多数的全职家庭主妇一样，浅葱芹菜（深田恭子 饰）尽心尽力的扮演着这一角色，就算身为职场女性的好友看低她嘲笑她，她也不以为意。可是，结婚两年多，芹菜发现自己和丈夫武文（藤木直人 饰）之间的关系逐渐走入了低谷，整日埋头于家事之中的她俨然已经失去了魅力和吸引力，而芹菜对武文浓烈的爱意也让武文感到不堪重负。 　　一次意外中，一色狼企图非礼芹菜未遂，这番画面却被偶然路过的名为阵内香树（桐谷健太 饰）的私家侦探拍到，看似仪表堂堂的香树竟然以此“敲诈”起了芹菜。为了赚钱赎回录像带，芹菜无奈之下成为了香树的“跟班”，开始了她的“侦探人生”。在此过程中，会有怎样的波折和趣事等待着芹菜呢？

业主群里，303的住户突然发了一条令人心惊的消息，声称自己“心情不好，想杀人”。包括女主在内的所有邻居，都将其视为恶劣的玩笑，纷纷在群里对他进行谴责。然而，谁都没有想到，这句看似荒唐的气话，竟然是真实的命案。

凌晨，业主群里突然吵闹了起来，有人在群里发了一条死亡威胁信息，起初大家并没有对这条信息太在意，直到后来发生了一件事，让群里瞬间炸了锅，大家开始发表自己的意见，甚至开始吵了起来，可越是这样，大家越惶恐不安。

一名东京侦探前往伦敦寻找自己失散多年的弟弟，他现在被认为是一名极道组织成员，因谋杀一名日本商人而遭到通缉。他家族的荣誉，以及国内交战帮派之间所维持的不堪一击的和平景象，都岌岌可危。

Created by the very talented director, Piotr Szulkin of Poland, this film, whose title translates literally into "Everyday Life", is a simple artistic experimental film made early in his career. The film is reminiscent of some of Jean-Luc Godard's early works. In the artistic manner of a director experimenting with filmaking, Szulkin details the basic tedious tasks in the daily life of a man and his wife. From awaking in the morning, to laying down to rest in the evening, the director weaves together scenes of everyday life with diegetic insertions of the time of day, allowing us to empathize with the working class man and his life of mediocrity. This is a decent little short by the director who went onto make some amazing Polish films such as "O-bi, O-ba: The End of Civilization", a story of a post apocalyptic society living underground. But sadly his films have yet to be translated into English (or any other language to my knowledge), so he continues to go unnoticed and unappreciated. This film has no dialogue so it can be enjoyed by all. 7 out of 10.

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

这部电影被构想为一种电影体验，旨在重现音乐专辑的声景纹理，它将虚构与历史交织，编织成一段跨越陆地和海洋、沉浸式的247年旅程。

这部电影被构想为一种电影体验，旨在重现音乐专辑的声景纹理，它将虚构与历史交织，编织成一段跨越陆地和海洋、沉浸式的247年旅程。

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第九名。